KING ARTHUR: SCENES FROM A RADIO DRAMA - ERRATA
Bar 25: Bass trombone remains on E flat.
Bar 43: 2nd trombone tied semibreve not quaver; bass trombone diminuendo for the full bar.
Bar 77 Flugelhorn - the second semiquaver of the group would be a D natural, not a D sharp.
Bars 91, 93, 98, 99 in all relevant all parts: the semiquavers on the first or fourth quaver of the bars should be slurred to the next quaver.
Bar 108: Euphoniums add a slur across the bars to match the rest of the band.
Regarding the omission of Mov. 3, from Paul Hindmarsh (Faber Music Consultant): "I was assuming that the second movement would end then pause for a breath and straight on. The second movement seques into the third, so this would work. The key is fine - no sudden lurches. I think the judges should accept any sensible solution to be honest, as it will also work as a segue. Leave it to the good taste of the conductors".
EPISODES FOR BRASS - ERRATA
2 before letter E - the 3rd Cornet should part be accented on first quaver.
Bar before letter F - Flugel should have a decrescendo to p like all cornets and flugel.
Bar 7 of letter H - Euph should be marked mp at rather than mf.
1 Bar before K - the Soprano Cornet should be slurred on first two beats as Rep, 2nd and 3rd Cornets.
8 after letter M - the Soprano semiquavers should be slurred and grouped in 4s (as the solo horn and euph).
11 and 13 after M - Soprano notes should have an accent.
10 bars before the end - Maestoso Allegando (6/4 bar), the 1st and 2nd Trombones should have an accent on the second quaver.
6 before I - crotchet = crotchet. This is correct
DIVERTIMENTO FOR BRASS - ERRATA
Bar 7 & Bar 53 - 1st Horn should be marked written G's throughout the bar (score correct, part wrong).